The Pitt Fic: Take a Flier (Abbot/Robby, NC-17)

Saturday, April 18th, 2026 02:49 pm
alethia: (The Pitt Jack in Love)
[personal profile] alethia
Take a Flier (3661 words) by Alethia
Chapters: 1/1
Fandom: The Pitt (TV)
Rating: Explicit
Warnings: No Archive Warnings Apply
Relationships: Jack Abbot/Michael "Robby" Robinavitch
Characters: Jack Abbot (The Pitt), Michael "Robby" Robinavitch, Dana Evans
Additional Tags: Season/Series 02, Episode Related, Complicated Relationships, Developing Relationship, Porn, finale post-ep, the inherent romanticism of "it's you and me"
Summary:

"It's late to start riding," Jack said as Robby straightened, a neutral statement that was a protest nonetheless. They knew how to say things without saying anything, the two of them.

Maybe that was part of the problem.

Robby stared down at the still-sleeping baby. "I have a lot of things to see," he said, almost to himself, a double layer to that, one that Jack found oddly heartening.

"And people to love," he said, taking a flier on it because why the fuck not.

the greenest saddest strongest kind of hope

Saturday, April 18th, 2026 05:40 pm
musesfool: eucalyptus by stephen meyers (how the light gets in)
[personal profile] musesfool
Today's poem:

A Certain Kind of Eden
by Kay Ryan

It seems like you could, but you can't go back and pull
the roots and runners and replant.
It's all too deep for that.
You've overprized intention,
have mistaken any bent you're given
for control. You thought you chose
the bean and chose the soil.
You even thought you abandoned
one or two gardens. But those things
keep growing where we put them—
if we put them at all.
A certain kind of Eden holds us thrall.
Even the one vine that tendrils out alone
in time turns on its own impulse,
twisting back down its upward course
a strong and then a stronger rope,
the greenest saddest strongest
kind of hope.

*

one if by land and two if by sea

Saturday, April 18th, 2026 05:05 pm
tsuki_no_bara: (Default)
[personal profile] tsuki_no_bara
guess how my day started! if you guessed "couldn't get the car door open AGAIN, figured it out, discovered the battery was dead AGAIN," gold star for you! i called the garage and left a very cranky email (they're closed on weekends which i know and let them know i know) because come the fuck on, it's been SIX GOD DAMN WEEKS. and i cannot drive my car. and this is the exact same thing that happened last weekend. and i have plans this coming monday that do not include sitting at home waiting for someone to come and jump the battery like they did this past monday. and i have plans for tonight that i have to cab to.

JESUS FUCK. i just want to be able to drive my car! and not have to worry that it's going to die on me!

*seethe*

i did however manage to make it to the coffee house with the bagel sandwiches (god bless the bus) so i finally satisfied that craving, and i got some sun in and some exercise, and i accomplished about 960 words on the thing i'm doing for writing group, which isn't great but is better than nothing. and i bought quarters and did some laundry. silver lining, silver lining.

today's poem is historically appropriate but very long so i shall cut.

Listen, my children, and you shall hear )

Authority, by Jeff Vandermeer

Saturday, April 18th, 2026 10:13 am
rachelmanija: (Books: old)
[personal profile] rachelmanija


This sequel to Annihilation takes an unusual approach. Rather than returning to Area X, almost the entire book takes place outside of it, focusing on the scientific/government agency, the Southern Reach, which has been sending expeditions into it.

Most of the book is bureaucratic shenanigans with creeping horror undertones. The main character, unsubtly nicknamed Control, is slowly losing his mind trying to figure out what the hell happened to his predecessor and why she kept a live plant feeding off a dead mouse in her desk drawer, what is up with the bizarre incantatory literal writings on the wall, and what's up with the biologist, who has seemingly returned from Area X but says she's not the biologist and asks to be called Ghost Bird. There's parts that are interesting but also a lot of office satire which is not really what I was looking for in this series.

About 80% in, the book took a turn that got me suddenly very interested.

Read more... )

I kind of want to know what happens next but I'm not sure Vandermeer is interested in giving readers what they want.

so glad tomorrow is saturday

Friday, April 17th, 2026 11:49 pm
tsuki_no_bara: (Default)
[personal profile] tsuki_no_bara
i do not remember what i wanted to share with you lovely people. there was a very cute small child on my bus this morning but is that really necessary to repeat? anyway, have a poem.

I like how Stevie Nicks speaks like a Martian sometimes.

“I came here for a reason,” she said in a 1983 interview.
As if simply relaying the directive from her mothership.

“I didn’t come here to be a mother ...” Bet that sounded
pretty alien then. Coming from a young pretty woman.

Like a Trojan horse. Feminism disguised in a frilly dress.

It makes me think about my birth mother. Like Stevie,
she didn’t come here to be a mother. Unlike my mother,
who couldn’t get pregnant but wouldn’t let that stop her
from becoming what she came here to be. My mother,

as passionate about adoption as she was about choice.

I like how that confuses some—those who like to point
out that abortion might’ve prevented her from adopting.
I suppose those dimwits came here to be ... well, dimwits.

Still, bet they can’t help but hum along when they hear
Stevie Nicks songs. Failing to realize that all those songs
are her children. That she gave birth to them for us.

“Because,” she said. “I want to enhance this planet.”

--"'I came here to be a poet ... '", Michael Montlack

Lately I've stopped worrying about the end.

Friday, April 17th, 2026 07:59 pm
musesfool: kara, pretty (nothing but the rain)
[personal profile] musesfool
Just woke up from an unexpected 2 hour nap, so thoughts on The Pitt finale will have to wait. Here's today's poem:

Materials for a Gravestone Rubbing

I have long wanted to be starlight in spring
and the late snow that lingers there, coming down
at Harpers Ferry over the river or gathered
on a windowsill on third street in Brooklyn
when I was twenty-two — the potpourri
of sky the wind carries after a storm.
The gray darkening on a far ridge. If you are reading this
there is still a way. I can take your smooth palm in mine
and lead you toward a distant city and a night
when you were on the mountain and dreaming of the other world
and we can walk together past the pre-war homes
converted now to low-rent apartments for college students
or workers come in from long days on a road crew,
coveralls draped over the backs of kitchen chairs
and the light swaying just so. We can go on —
along the cracked sidewalks above the train tracks
that can't exist again even as the grasses come up between them
and look through a fog and a single pair of headlights
making definite beams in the material cold.
No moonlight to get netted up in on the surface of the water
no traffic at this hour just the scraps of paper blown
into gutters and the electric hum of streetlights,
a few voices, which almost walk like footfall down alleys
overgrown with briars and creeping vines, their crude
latticework against the brick and the exhale
of a bartender on a smoke break and the smoke
which still drifts. Now it must be all worn through
but then it was barely remarkable though I stop
to look back at the homes and at snow melt on roads
the flat glitter on the black road, the moiré pattern
yet to be captured by language — and for a minute believe
in something as my stepfather believed in the smell of fire
whenever he left in the middle of the night
and returned before dawn and spoke to no one, didn’t
wake anyone up. Sometimes I feel that alone,
that pure, as if looking back at myself
through the scrim of time and you are there
standing in our kitchen at this hour and I can almost
hear you and the first singing caught-up there in the back
of your throat. Lately I've stopped worrying about the end.
Each day my hand is smaller on your shoulders. New birds
still return and the hillsides green all around, the stars
have traveled over the horizon and in the blink
of an eye you are here — grape-vine charcoal in your hand;
little hyphen I have become.

--Matthew Wimberley

*

The Measure, by Nikki Erlick

Friday, April 17th, 2026 10:05 am
rachelmanija: (Books: old)
[personal profile] rachelmanija


One day every adult on Earth gets a box that contains a string that measures out the length of their life.

This premise seems designed in a lab to create a book to be read for book clubs, where everyone gets to discuss whether or not they'd open their box and how they'd react to a long or short string. It worked, too. And it is absolutely about the premise. Unfortunately, the book is bad: flat, dull, sappy, American in the worst possible way, and emotionally manipulative.

It follows multiple characters, all American, most New Yorkers, and all middle or upper class. Some get long strings. Some get short strings. The ones with short strings agonize over their short strings. The ones with long strings who are in relationships with people with short strings agonize over that.

One of them is black, a fact mentioned exactly once in the entire book, and one has a Hispanic name. One set is an old right-wing politician and his wife. But all of them have identical-sounding narrative voices. Other than the Hispanic-named dude, who is mostly concerned about job discrimination, and the politician, who just wants to exploit the issue, everyone is worried about having a relationship and children with someone who will die young/worried that they'll get dumped and not be able to have children because they'll die young.

Ultimately, isn't everything really about baaaaaabies? Shouldn't everyone have baaaaaaabies no matter what?

The book is so bland and flat. The strings are a metaphor for discrimination, as short stringers are discriminated against. It explores some other social issues, all extremely American like health insurance discrimination and mass shootings, but only peeks outside America for brief and stereotypical moments: North Korea mandates not opening the boxes, China mandates opening them, and in Italy hardly anyone opens their box because they already know what really matters: family. BARF FOREVER.

It was obvious going in that the origin of the boxes would never be explained, but no one even seemed curious about that. Once all adults have received them, they appear on your doorstep the night you turn 22. Video of this is fuzzy. No one parks themselves on the doorstep to see if they teleport in or what. No one has a paradigm-upending crisis over this absolute proof of God/aliens/time travel/magic/etc that the boxes represent. No one comes up with inventive ways to take advantage of the situation a la Death Note. No one is concerned that this proves predestination. No one wonders why they appeared now and what the motive of whoever put them there is.

The point that life is precious regardless of length is hammered in with a thousand sledgehammers, to the point where it felt like a bad self-help book in the form of a novel. The romances are flat and sappy. In the truly vomitous climax, someone pedals around on a bicycle with the stereo playing "Que Sera Sera" and it quotes the entire song.

It's only April but this will be hard to top as the worst book I read all year.

2614 / The Pitt, 2.15

Friday, April 17th, 2026 08:39 am
siria: (the pitt - robby swag)
[personal profile] siria
You know it's been a Capital W Week when one of the least draining parts of it was that you had to sit at home one day from 9am waiting for the guy to show up to repair your washing machine and he didn't show until 6:20pm. And that issue did in fact involve a drain pump! Insert rimshot here.

The Pitt, 2.15, 9:00P.M. )

this movie would be better without mark wahlberg

Thursday, April 16th, 2026 10:48 pm
tsuki_no_bara: (Default)
[personal profile] tsuki_no_bara
oh my flist i am so tired. i want to sleep in tomorrow but i have to work from work because i have to set up a lunch. i'll get fed (thai food :D ) which is never a bad thing but at the same time... sleep. why can't i just be independently wealthy. why.

there was a guy on the t coming home who looked a lot like ben whishaw and that was very distracting.

a bunch of states might be able to see the northern lights tomorrow and saturday. sadly mass isn't one of those states. but if your state is you could perhaps see the bright lights and that's pretty cool.

The best ones
I ever ate I ate

that summer, him dead
six months, me not yet

forevered again
to anyone. Tomatoes

the only fever, many-
chambered, jelly-seeded

—probably slicers,
nothing rare. Dissected

into the same glass bowl
night after night for a dinner

date with the pulpy sun
on its way through

my yard. Fayetteville,
Arkansas, city of wreckage.

Mozzarella, basil, salt.
Oil, the August air

humid, nearly liquid.
One evening I sat

on my back stoop
in a puddle of light

and knew I could live
without him, and was.

I ate the same dinner
from the same bowl

until the decision
ceased to be a decision.

--"Tomatoes", Katrina Vandenberg

the rain will never stop falling

Thursday, April 16th, 2026 10:15 pm
musesfool: girl with umbrella (rainy days and mondays)
[personal profile] musesfool
Almost forgot to post!

Shoulders
by Naomi Shihab Nye

A man crosses the street in rain,
stepping gently, looking two times north and south,
because his son is asleep on his shoulder.

No car must splash him.
No car drive too near to his shadow.

This man carries the world's most sensitive cargo
but he's not marked.
Nowhere does his jacket say FRAGILE,
HANDLE WITH CARE.

His ear fills up with breathing.
He hears the hum of a boy's dream
deep inside him.

We're not going to be able
to live in this world
if we're not willing to do what he's doing
with one another.

The road will only be wide.
The rain will never stop falling.

*

Nekropolis, by Maureen McHugh

Thursday, April 16th, 2026 10:38 am
rachelmanija: (Books: old)
[personal profile] rachelmanija


In a future Morocco, a young woman named Hariba with no prospects has herself jessed, a process which renders her loyal to whoever buys her, and sells herself as an indentured servant to a wealthy household. There she meets Akhmim, a harni - a genetically engineered human designed to be a perfect lover or companion. Hariba falls in love with him and runs away with him, but because she's jessed, she becomes extremely sick due to defying her loyalty implant.

Up until this point, the book had a compelling atmosphere a bit reminiscent of The Handmaid's Tale in that it explored the daily life of people living with very little agency in the home of someone who owns them. But once Hariba gets sick, she becomes completely sidelined from the story and basically lies in bed suffering for the entire middle part of the book, while the POV switches from Hariba and Akhmim to first her mother, then her friend - neither of whom are very interesting.

Read more... )

This is a well-written book with interesting issues that sags a lot in the middle portion when Hariba basically drops out of the story, and ends in a note of depression and gloom.

Though I didn't love this book, I'm sorry that McHugh doesn't seem to be writing novels anymore as I did quite like China Mountain Zhang and Mission Child.

also i need to sweep but that's neither here nor there

Wednesday, April 15th, 2026 08:28 pm
tsuki_no_bara: (Default)
[personal profile] tsuki_no_bara
we get the new york times at work and i must have signed up for their email newsletters at some point because i get them every morning. because today is tax day - think sympathetic thoughts at any tax professionals in your life - the newsletter opened with "it's tax day. i wish you many happy returns." oy.

today was also the big support staff lunch at work, which the admins had to organize. (it was our turn.) that means we order the food (it was delicious, especially the little lemon squares and the rolls) and figure out what to do for half an hour - we've had guest speakers talking about their research before so that's what we did. said guest speaker was someone who works adjacent to one of my groups, which meant i didn't just know her but knew something about the subject of her talk. which is a first! talk was good, food was good, it's always nice to schmooze with my fellow admins, and did i mention the lemon squares? i do love a good lemon square.

i also took a brisk walk with one of the admins m and one of the admins a - it was getting cold and cloudy so the walk was bracing. but fresh air is good for me, so.

All our windows open, steady drizzle on the kudzu’s
broad backs, birds making their music like this isn’t North
Carolina, but a tropical rainforest, and we’re somewhere
deep in the palms and vines. But it’s our own ferns and fiddleheads,
evergreens and sugar maples, trillium blooming, or on the verge,
for no one in particular, for everyone in particular, as if to say,
Go on, enjoy it. Rain, flowers, time on earth. The apple I
hand-picked at the market. Braiding my friend’s hair, silver
in my fingers, how I tie a tiny bow gently at the end
just as the sun comes out. I want to believe this is true power, that
kindness is the only weapon worth wielding, and I wield it,
land blow after blow to my enemies, without mercy.
Mercy. Bring the wine. Set the table for surprise guests.
No matter the plates don’t match and we’ve run out of chairs,
only that there is bread and laughter, enough to go around.
Parades, in spite of—. Pride, in spite of—. Please, someone answer all these
questions I have about hummingbirds and the little futures we are
reaching for, the ones rising above the horizon right before our eyes,
such intoxicating visions, our truest selves, with nothing to hide. Go on.
Trust the child standing barefoot in the rain, her face turned
up to the sky. Trust that crescendo building in your chest is your
voice, singing what you need to hear, the stone-heavy echo
welled from darkest springs. Go ahead. Open the door. No one can
explain how to love the world. It doesn’t happen all at once. But
you can start here. Tonight, with yourself. Someone near you. Let it go
zigzagging town to town. Look, there. It’s already coming back around.

--"Our Book of Delights", Arielle Hebert

i am the throat of the mountains

Wednesday, April 15th, 2026 02:36 pm
musesfool: mel king from the pitt with a smiley face (happy to be here)
[personal profile] musesfool
I knew Isa Briones was on Broadway, but I had never heard her actually sing until yesterday when I saw this on tumblr: Isa Briones sings "Who's Sorry Now" from JUST IN TIME | Now on Broadway. What a set of pipes!

*

Today's poem:

Fire

a woman can't survive
by her own breath
               alone
she must know
the voices of mountains
she must recognize
the foreverness of blue sky
she must flow
with the elusive
bodies
of night winds
who will take her
into herself

look at me
i am not a separate woman
i am the continuance
of blue sky
i am the throat
of the mountains
a night wind
who burns
with every breath
she takes

—Joy Harjo

*

Dreadnought, by April Daniels

Wednesday, April 15th, 2026 11:00 am
rachelmanija: (Default)
[personal profile] rachelmanija


Danny is a 15-year-old closeted trans girl in a world where superheroes are real. She's across town from her home and her transphobic abusive father, hiding in an alley and painting her toenails with polish bought in a shop as far from her home as she can manage, when America's strongest superhero, Dreadnought, gets in a fight with a supervillain, crashes at her feet, and passes on his powers to her, since she's the only one there to receive them, before dying.

His powers automatically reshape her body into her mental ideal. So now she's physically a very pretty, very strong girl with superpowers... who now has to explain this to her abusive transphobic parents, everyone at her school, and the local superheroes, one of whom is a TERF. Not to mention that the supervillain who killed Dreadnought is still out there...

This is basically exactly what it sounds like: a superhero origin story for persecuted trans teenagers. It's very earnest and has absolutely no subtext. My favorite parts were the bits where Danny gets her gender affirmed by new friends and a sympathetic superhero, which are genuinely very sweet, and when Danny finally proclaims herself the new Dreadnought, which is a great stand up and cheer moment . But overall, I'm too old to be its ideal reader.

Content notes: A LOT of transphobia and transphobic slurs.

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